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"The
accumulation of the play's evolving sense memories transcends the
specific and elevates us to the universal. This is where we enter the
realm of authentic, groundbreaking art."
— Carol Wells, The Oregonian,
November 2009
“The
seamlessly attuned Hand2Mouth company ensemble treats its subject with
casual intimacy… an aching tenderness that is spot-on for its subject.”
—
Alexis Rehrmann, Culturephile (Portland Monthly), November 2009
“Everyone Who Looks
Like You
is the company’s most polished production to date… portraying family
just as it is: the people to whom you happen to be related, who made
you who you are, who loved you more and caused you more pain than
anyone else ever could, and whom you will one day inevitably become.”
—
Ben Waterhouse, Willamette Week, November 2009
“The young company has steeled
themselves to tell the unvarnished truth.”
—
Alison Hallett, Portland Mercury, November 2009
“This piece alternates between
being hilarious, harrowingly recognizable and – dare we acknowledge it
– moving.”
—
Mead Hunter, meadhunter.blogspot.com/2009/11/thespian-nation.html,
November 2009
A “stellar look at the dynamics
of family… It seems to hit the heart directly.”
—
Carly Nairn, The Daily Vanguard, May 2009
“What
Walters and his troupe seem to be after is nothing less than the
recreation of theater for our time, and of our time, when collaboration
trumps authority and multimedia is a fact of life and a linear
storyline is no longer necessary in a world that jumps from Web site to
Web site. Judging by the number of younger people in the packed house,
it appears they are succeeding.”
—
Carol Wells, The Oregonian, May 2009
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