Welcome to Hand2Mouth’s New2You Festival!
Our inaugural New2You Festival is a 9-day festival exploring the intersection of the body and technology, including an exploration of all media and the ways in which humans have d/evolved using technology and its psychological effects. After a call for proposals last Fall, we are delighted to share with you nine original works by some of Portland’s most exciting generative artists.
The idea for the festival was born out of our own company members’ interests in celebrating the artists process, uplifting new voices and original works, building community, and the desire for human connection beyond the facade of technology. The works you will see as part of the festival are all varied in style and focus.
We hope you enjoy these works and encourage you to consider how they resonate with your experiences moving through the technological world. As always, we thank you for your support!
-Michael Cavazos, H2M Artistic DIrector
Thank you to our host venue Portland Institute for Contemporary Art for all of their support and for fostering the creative explorations of artists and audiences.
Jump ahead to show info by clicking on image below!
System Check
by Nurys Herrera
March 27 at 7:30pm
April 2 at 7:30pm
System Check is a solo performance about what happens when the human body is examined, measured, and misunderstood by technology.
After entering a futuristic diagnostic room, a woman is guided through a series of automated tests designed to read her body as data by a virtual nurse who follows protocol perfectly. When the system encounters things it can’t fully process like personal history, missing parts, and emotion, it attempts to adjust how it communicates, trying different programmed ways of explaining what’s happening. None of them quite work.
Blending physical comedy, silence, and a growing sense of frustration, System Check explores the gap between efficiency and empathy and asks what we still need when the results are inconclusive.
Nurys Herrera [Creator / Performer] is a Peruvian-born actress, performer, and writer who has worked in Portland for more than 20 years. She was last seen In Hand2Mouth productions Memento Mori as Death and Home/Land as the 'drowned woman'.
She believes laughter is a form of healing and her work invites audiences to laugh, reflect, and recognize themselves in the absurdities of modern life.
Nurys played by Nurys Herrera
Dr. Joaquin Lopez played by Joaquin Lopez
Nurse Alma (VO) played by Joaquin Lopez
Soft Machine
by Trick Pony
March 27 at 7:30pm
April 2 at 7:30pm
How do you program humanity? Soft Machine - a newly devised piece from Trick Pony Theatre - invites you to clock in at the latest big tech company, OptiMates™, and see just how an android gets its adenoids. The most advanced mechanical being ever is presented as the answer to all of our most unnecessary tasks such as learning new things, making friends, and falling in love. An interactive, absurd journey into Uncanny Valley where we strive to make machines more like humans and humans more like machines. Who knew outsourcing our soul in pursuit of optimization was funny?
Content Warning: There will be some audience interaction and moments of low lighting.
Emily Laue [Co-Creator / Director] has been making theatre, film and multimedia projects for over 20 years and is delighted to now be directing and co-creating with Trick Pony Theatre. She is primarily a director, producer and actor. She has directed theatre at the Los Angeles Fringe, and in Portland at Artifice and Sam Festivals. Her films have screened at the Northwest Film Forum, MoMA, Vancouver Cinematheque and festivals in Oregon, New York, Mexico and Canada. She has a BFA in theatre acting from the University of British Columbia and an MFA in film directing from Stony Brook/Killer Films and is a graduate of PETE’s Institute of Contemporary Performance.
Adam Fleming [Co-Creator / Performer] is a theatre maker with a near thirty-year background in movement-driven storytelling. His work as a director and movement director includes Amélie, Secret In The Wings, Tuck Everlasting, Clue, and The Play That Goes Wrong, as well as choreography for Toe Pick at NYC’s Dixon Place, West Side Story with the Sioux City Symphony, and the Sundance favorite Dick Johnson Is Dead. Recent work includes Associate Director for Lizard Boy at Portland Center Stage, movement direction for The Madonna of the Cat at 21Ten Theatre and Everybody’s Eyes Are On the First at The Hatchery new works festival. As a performer, he appeared on Broadway in Hairspray (Sketch, OBC) and Wicked (Boq), and in the films dare and The Dare Project. www.alphahotelfoxtrot.com
London Bauman [Co-Creator / Performer] is a theatre maker, musician and sound designer from Portland, OR. He was a producing company member at Theatre Vertigo from 2017-2020 (credits include The Delays, Stupid Ghost, Map of Virtue, Complex, Everything You Touch) and has produced work seen around Oregon, the Bay Area, the Edinburgh Fringe Festival and elsewhere. He holds a BS in Theatre Arts from Portland State University and has trained at Dell'Arte International School of Physical Theatre, The Actors Conservatory, and as part of PETE's Institute for Contemporary Performance. He is the theatre instructor at Pacific Crest Community School and plays guitar in the local band Frecks.
Follow Trick Pony Theatre on instagram at @heytrickpony!
Assessment Tools
by Maia McCarthy
March 28 at 3pm
March 29 at 7:30pm
Determined to "do menopause right," our hero goes searching for an app for that. Not finding what they're looking for they embark on an adventure to create their own- what could go wrong?
Maia McCarthy [Creator / Perfomer] is an actor, devisor and teaching artist who uses theatre arts and live performance to make ways for us to be a little more human together; sometimes playing the villain, sometimes the clown. Favorite local performances include Borachio in Salt and Sage’s production of Much Ado About Nothing , the Drowned Woman in 22/23 HOME/LAND with H2M, and Mark Rothko in Crave Theatre’s production of Red. They are delighted you’re here.
CREDITS
Job Description read by Murren Kennedy
Street Sounds from freesounds.org:
•walking_downtown_3.flac by tim.kahn --https://freesound.org/s/51900/ -- License: Attribution 4.0
•CRWDChld_BusyPlayground_dhi67540_ZH1e by dhi67540 --https://freesound.org/s/825259/ -- License: Attribution 4.0
Prop construction: Beth Smith, Faith Helma, Maia McCarthy
Dome construction: Jamie Rush, Maxwell Rush, Stevie Rush, Maia McCarthy
Special thanks to Charmian Creagle and Faith Helma for rehearsal notes and Liz Hayden for never ending support!
Mama’s Emoji
by Rui Dun
March 28 at 3pm
March 29 at 7:30pm
Mama’s Emoji begins with a death announcement delivered the modern way: a text from Mom. Bad news, worse emoji. From that tiny glowing screen, a one-person interactive performance was born, diving into the process of grief when family is separated by migration. When oceans separate generations and emotions go unread, what happens to mourning and to all the things left unsaid? Blending dark comedy with quiet devastation, Mama’s Emoji skewers emotional avoidance, inherited silence, and the theater of digital intimacy within Asian families. Does communication break down through technology, or does it expose how bad we’ve always been at it?
Rui Dun [Creator / Performer] (she/ta) is a theatre artist based in Portland, OR. Originally from China, she finds her voice in migration stories. She has collaborated with artists from different cultural backgrounds to create work that speaks to cross-cultural human experiences. Her storytelling is morphing towards community and embraces the voices and expressions in the room. Her work has been seen at Arc Stages Next Stage, 3-Legged Dog, The Tank, Hudson Guild Theatre, New Ohio Theatre, UNFIX NYC, Planet Connections Theatre Festivity, NY Fringe, and New York Theatre Festival. Ta is excited and honored to return to H2M in the inaugural N2U Festival.
Rachel Alexis Zimmerman [Design and Direction] (she/they) is delighted to make her Portland debut. Rachel is a multidisciplinary artist and theatre designer with over 20 years of professional experience all over the country, as well as two degrees in Theatre Design. Recent credits include Lighting & Scenic Design for Wǔ Wèi (Yangtze Repertory Theatre, New York), Staff Lighting Designer for Queens Theatre, and the Off-Broadway production of Don Carlos at Theatre Row’s United Solo Festival. Additional credits include Lighting Design for Throughoutiveness (IRT Theatre), Technical Director & Lighting Design for Love/Love, A New Musical (Under St. Marks), and Co-Creator, Producer, and Designer for Invisible Days (Unfix NYC Festival). Rachel is grateful for the brilliant collaborators and artists in Portland who continue to inspire their work.
A Cyborg Sissy
by Pepper Pepper
March 28 at 7:30pm
April 1 at 7:30pm
A Cyborg Sissy is a stream of consciousness questioning consciousness. A lecture about an uncertain future by the mythic Cyborg Sissy, a being who re-emerges in times of great disruption. Weaving together the problems and possibilities offered by Haraway, Burroughs, and P-Orridge (among others) the Cyborg Sissy considers what it means to have a body, a gender, and desire at the very beginning of an empire's end.
Content Warning: Contains nudity and strobe effects.
Pepper Pepper [Creator / Performer] is a Portland, OR based multidisciplinary artist and Hand2Mouth company member. His work transforms vulnerability into spectacle - using artifice, technology, and camp to metabolize trauma into luminous, often magical performance worlds. Pepper has presented performances on stages and in festivals including Risk/Reward, the Time-Based Art Festival (T:BA), Performance Works Northwest, NCECA and internationally at OFF! Biennale Budapest. Their visual and installation work has been exhibited at Oregon Contemporary, Linfield University, Seattle Central College and The Budapest Art Fair.
Pepper has incubated new experimental works at residencies like MacDowell, Monson Arts, Playa, Caldera, Signal Fire, and PonderosaTanz (Germany), Pepper’s practice bridges experimental performance and nightlife legacy. With over 20 years in cabaret and drag production, Pepper has appeared at and been featured at The Austin International Drag Festival, OUTstages (Victoria, BC), and is co-host of The Portland Drag Theatre Festival alongside frequent collaborator Anthony Hudson.
His ongoing project Pink Moment explores PINK as queer energy, ritual, and resistance while hybridizing performance, photography, and installation into an evolving archive of embodied glamour.
Follow Pepper on instagram at @thepepperpepper
or visit them online at www.thepepperpepper.com.
The Surgery
Nathalie Owen FitzSimons
March 28 at 7:30pm
April 1 at 7:30pm
Nathalie Owen FitzSimons, the brilliant (unlicensed) medical mind, has created a Surgery that will change the world as we know it: Gender Confirmation Surgery for Cis people. For years, only trans people have experienced the joys of The Surgery- the multiple visits to a wide array of medical practitioners, the innumerable hoops of bureaucracy to jump through, the politicians actively attacking the right to receive any kind of medical care and claiming that you should be put in camps- finally, cis people get to experience it for themselves! One lucky audience member will have the privilege of receiving The Surgery in front of an audience! There will be a lot of blood! There will be live electronic music! There will be rigorous paperwork!
Content Warning: This show includes fake blood and audience participation.
Nathalie Owen FitzSimons [Creator / Performer] is a clown, synthesist, and horror researcher. She has her MFA from Dell'Arte International and teaches at such places as The Synthesizer Library of Portland, Curious Comedy Theater, and Echo Theatre. She is on the organizing team of the Stage Fright Festival, Portland's premiere queer horror theatre festival, where she has performed clinical trials of The Surgery and her solo show STITCHES.
Follow Natalie on instagram at @weirdthingsforimaginarypeople
Keepers
Olga Kravtsova & Piper Francis
March 31 at 7:30pm
April 4 at 7:30pm
In a world where communication systems have collapsed, KEEPERS unfolds inside a lighthouse that still functions, though no one knows why. Rituals continue. Signals are sent. The response is uncertain.
Built through physical labor, repetition, and relational attention, the work uses minimal materials, with light and sound operating as active forces. Language surfaces only in fragments and never settles into explanation. KEEPERS invites audiences into quiet witnessing and shared listening, offering a space of vigilance where meaning is carried, tested, and held without promise of resolution.
Audience Notes: This performance includes low-light conditions, use of a smoke machine, and moments of darkness. It may include brief moments of strobe lighting.
Original Music by Jason Okamoto
Sound & Video Design by Piper Francis
Costumes by Olga Kravtsova
Olga Kravtsova [Co-Creator / Perfomer] (she/her) is a Portland-based movement artist, performer, and director whose work blends physical theatre, sensory world-building, and nonlinear dramaturgy. Her practice explores embodiment, archetypal imagery, and memory, often asking how communication shifts under pressure and how meaning is rebuilt through the body when language fails.
Piper Francis [Co-Creator / Perfomer] (they/them) is a multidisciplinary artist committed to community-centered performance. They are known for their radical clown work in anti-militarism and anti–US-led-war street skits throughout Portland. Their practice examines cognitive dissonance, social structures, and emotional truth, drawing from literature, politics, music, and socioeconomic realities. Piper is also a lighting and sound designer/technician who enjoys an “outside-in” approach, allowing environmental conditions to shape theatrical decisions. In their free time Piper enjoys whimsical adventures on rollerskates to their favorite music. They hope you enjoy the show, and would like to thank you for your continued support of local and independent artists.
Follow Olga on instagram at @olga.s.kravtsova
Follow Piper on instagram at @frankly.pipes
For more information on KEEPERS, visit them online at https://www.keeperslife.com.
The Parallax View
Daye Thomas & Dylan Hankins
March 31 at 7:30pm
April 4 at 7:30pm
You are not alone. You are accompanied by the version of yourself that learned how to be seen.
"The Parallax View" is a devised movement and sound performance by Dylan Hankins and Daye Thomas, inspired by Plato’s "Allegory of the Cave" and Slavoj Žižek’s philosophy of the split subject. Inside a fragile cardboard world of screens, lemons, and objects (or are they humans?), a man navigates digital solitude, modern masculinity, and synthetic intimacy. There is comfort in curated shadows. The cave is no longer underground. It is handheld. It is personalized. IT learns YOU.
If reality is only ever perspective, what happens when the version of yourself built to survive begins to replace the one that needs connection?
Daye Thomas [Co-Creator / Director] (they/them) is a Portland-based theatre artist working across directing, sound design, and devised performance. They love collaborating with Dylan, whose curiosity, humor, and fearless commitment to building fully realized worlds and aesthetics continually challenges and delights their own practice. For "The Parallax View," Daye directed and also co-created the soundscape and set, shaping the allegorical cave the piece inhabits as a love letter and companion piece to their ICP final show "Jane Says." They are especially drawn to work that pokes at the fragile line between the self we curate and the self that still wants connection. If you’d like to see more of their directing and world-building, Daye is currently co-writing and music directing a new musical, "Re-Rite," with Theatre Diaspora and Portland Revels, opening in April.
Dylan Hankins [Co-Creator / Performer] is honored to be working with Daye Thomas on this project. He studied World Languages Lewis & Clark College (’20) and devised theatre with PETE ICP (’21). He wrote, directed, and acted in (de)composition, S p r a w l (CoHo theatre), and FAENA (PETE Presents). Acting credits include Spear (Corrib), Banned (H2M), Merchant of Venice (Portland Shakes) and Chekhov! 3 Farces (21ten). You can see more of his work later this year: Alarums and Excursions (April 25th, Fertile Ground), JustHamlet (May), and M.S.M. (August, Shaking the Tree). You can follow him on Instagram @icpdylan for more info.
ENTER YOUR PROMPT HERE <_______>
H2M Youth Devising Residency
March 28 at 2pm
April 3 at 7:30pm
April 4 at 2pm
An original production: created by the Youth Devising Residency 25/26 Ensemble
The Show you are about to see is <Enter your prompt here>
The Show you are about to see is <Not a cautionary tale>
The Show you are about to see is <Tools with no true application. Whatever happened to fucking? And. Maybe if I make this computer bleed I will feel human again.>
An exploration on the long term use of AI on humanity
Ensemble:
Turner Cale, Athena Crane, Syla Edelman, Miles Franklin, Addie Grab, Aurelius Lillie, Molly May, Phoenix Nathoo, Mark Perez Siquina, Angelo Fernandez
Directed by: Jenni GreenMiller
Assistant Director: Orion Ellis
Stage Manager: Mila Lammers
Costumes: Max Ratner
Hair & Makeup: Alex Quiggle
Production Assistant: Natalia Arroyave
The H2M Youth Devising Residency (YDR) offers young adults (ages 14-18) in the greater Portland Area education and mentorship via a yearlong residency. Students are selected from an open call to area public schools and through our community partners and are employed as young professionals to work alongside professional artists, directors, designers, technicians, to explore collective themes and ideas. These youth artists collaborate to produce and perform an original performance born from their own unique ideas.
Co-Creators of
ENTER YOUR PROMPT HERE <_________>
Turner Cale is a Native American student and actor in Portland, Oregon and this is his 2nd year with YDR. Turner is stoked and that he gets too work with such an amazing cast and program again. Turner would like too thank his family and friends for being so supportive and inspiring and he hopes you enjoy the show!
Hi I'm Athena Crane! I'm a Senior at Oregon Episcopal School, and I’m incredibly excited to be a part of this year’s Youth Devising Residency!
Syla Edelman is a young artist from Portland who is a member of Thespian Troupe #7289 and is excited to explore the theme of AI for this production.
Angelo Fernandez is an 18 year old actor & singer currently attending Mt. Hood Community College. His theatre career started in high school, starring in his high school's productions of The Spongebob Musical as Spongebob Squarepants, The Wizard of Oz as Tin Man, and playing supporting roles in The Three Musketeers as Cardinal Richelieu and in Macbeth as Banquo; he was last seen understudying as Puck for MHCC's production of A Midsummer Night's Dream. He is grateful to be working with Hand2Mouth again and excited to be a part of the YDR show this year!
Miles Franklin is a senior at Cleveland High School and this is his third year in the YDR cohort. He is excited to explore how AI has influenced his life and put that directly on stage.
Adelaide Grab is an actor and technician who is about to LEAVE FOREVER... to go to college! This is their last show with H2M and she couldn't be happier to have ended with such a great show! She also mayhaps wants to thank the audience for being amazing, thank you all!
Aurelius Lillie (he/him) is a senior at Roosevelt High School who has been a part of Hand2Mouth’s YDR ensemble for the past 3 years, working with others to create and perform in “What Brings You Here?” and “Hear, Here!”. He has had a lifelong love of theatre, and all things creative. He'd like to thank his family, friends, and teachers for giving him everything he knows.
Phoenix Nathoo is a senior at Roosevelt high school and theater has always been a big part of his life, from acting in Charlie and the Chocolate Factory in elementary school to now doing sound tech for shows like Harry Potter and the Cursed Child and Mean Girls! This is his second H2M show and he's excited to see how this one will come together!
Molly May [Any Pronouns] is an artist and activist born and bred in the Portland area. This is their first year with H2M Theatre youth devising residency. They are looking forward to a gap year of civil disobedience and gorilla theatre, and after that... possibly moving abroad! Life is crazy like that! AI could never! When not acting their butt off, Molly May enjoys drawing and playing D&D/other forms of pretend. They would like to thank their family, their friends (I am madly in love with you), and whoever is reading this right now.
(He/Him) This is Mark Siquina's second year as an actor and his seventh production. He loves the process of devising theatre and has credits previous devised shows like, La Mariposa: a song from the borderlands, and Student Devised Work (in collaboration with the Portland Experimental Theatre Ensemble). He is immensely eager for this production and thankful for the incredibly talented ensemble, but above all else, he wants to thank David Lynch!
Jenni GreenMiller [Director] is a processed based devising theatre artist, playwright, and performer working at the intersections of dialogue and lived experiences. She is the Education Director at Hand2Mouth (H2M) Theatre and led the development of the H2M Arts Education Curriculum - meeting participants where they are in the creation of original work. Her focus as an educator is the marginalized voices of youth who are continually asked to solve the world’s problems but whose voices are not taken into consideration. Jenni’s independent work focuses on the female experiences, specifically; abuse, femininity, silence, and rape.
Orion Ellis [Assistant Director] (they/he) is a current Senior at Roosevelt High School. This is their first year directing, but their fourth among the YDR ensemble. They are an amateur knitter, writer, costume designer, violinist, (and director); currently practicing art of being somewhat bad at things they enjoy.
Mila Lammers [Stage Manager] is a senior this year in high school and has been acting and doing tech since she was very young. She has been H2M for 4 years with What Brings You Here? being first and Hear Here! being the second. This is Mila’s first year being a stage manager for H2M. Mila will miss doing H2M next year since she will have graduated high school and will no longer be a part of it.
Max Ratner [Costumes] is a Sophomore at Ida B. Wells High School and is excited to be joining the H2M YDR program as Costume Designer. Max has previously helped make or design costumes for other shows such as Hadestown, The Complete Works of William Shakespeare (Abridged), And Firebringer. Max loves experimenting with design and blending classic style and more modern styles. He is excited to show you his work with blending technology and various styles at this show. He would like to thank his Mom and his Dad's girlfriend for kindling his love of fashion and sewing. When not hunched over a sewing machine, Max can be found rock climbing or playing his French Horn.
Natty Arroyave [Production Assistant] is a Colombian performing artist whose journey with Hand2Mouth Theatre began as a Community Engagement Exchange Fellow in 2023. Since then, she has supported the company as a teaching artist, LATAM Regional Specialist for the International Program, and Stage Manager, traveling to Colombia and the Dominican Republic through Hand2Mouth’s projects. She recently performed at the Cairo International Festival for Experimental Theatre in Egypt, with the play Y Recuerda Tichangoshaina… An Encounter of Cultures, a play she co-created with Zimbabwean theatre artist Lonesome Tapiwa and produced by Hand2Mouth. Natty has worked in theater, television and award-winning podcasts, bringing her artistic insight, project leadership, and collaborative spirit to every project.
Festival Production Team
Michael Cavazos [Festival Director] is a Queer Chicanx theatre maker and the Artistic Director of Hand2Mouth Theatre. Before moving to Portland, they were a member of the comedy troupe Gender Offenders and performed on many NYC stages. In Portland, Michael has worked with Imago, Crave, Profile, Portland Playhouse, Portland Revels, and Portland Center Stage. As a teaching artist, they have taught in Egypt, Serbia, and the Dominican Republic. In 2021 Michael received the Oregon Arts Commission Individual Artist Fellowship. He is the festival director for 24H2M, a 24-hour devising festival, and director of the remount of HOME/LAND coming this June as part of the Oregon Contemporary Artist’s Biennial.
Victoria Alvarez-Chacon [Stage Manager] is thrilled to be working with H2H for the first time!
Al Knight-Blaine [Lighting Designer] is a lighting designer working in theatre, dance, and performance art in Portland and the surrounding PNW. Alongside his day job lighting events and music festivals with Outlaw Lighting, he is the resident lighting designer for Open Space Dance and Night Flight Aerial, and the head of lighting at the Portland Institute for Contemporary Art. Al is a graduate of Southern Oregon University, with a BFA emphasizing in lighting design. Recent designs include Allie Hankins' performance series By My Own Hand, The NOT-Cracker with Open Space Dance, Fright Night with Night Flight Aerial, and Angry Raucous and Shamelessly Gorgeous at Portland Playhouse. He’s excited to be working with Hand2Mouth for the first time on this festival!
Jon Timm [Sound & Projection] is a multidisciplinary technician specializing in live performance. Across nine productions, he has built and operated technical systems while managing sound and timing to ensure smooth, consistent shows.
Gabriel Reyes [Production Assistant/Crew] is a Portland based actor and theater maker, currently enrolled in ARTs Pathways theater criticism and mentorship program. He studied theater at Lewis & Clark college and graduated in 2023. Since then Gabe has had the privilege of working on a number of productions and readings, including Faena by Dylan Hankins at CoHo and a reading of Isabel by Reid Tang with Theatre Diaspora. Gabriel feels very lucky to be involved in Hand2Mouth’s New2You Festival and looks forward to helping bring new works to the Portland theatergoing public.
Emily Hogan [Graphic Design] is a middle child and transplant from Lompoc, CA, Emily graduated from the University of Portland with a BA in Theater. Performance: 24H2M (Hand2Mouth), Un Pajarito Canta (Portland Revels), An Xmas Cuento Remix (Milagro), Made To Dance In Burning Buildings (Shaking the Tree). Stage Management: The Antipodes, UBU America, Forbidden Fruit, Fucking A, MODELMINORITY, Chick Fight (Shaking the Tree), What Brings You Here? (Hand2Mouth YDR). Dramaturgy: In A Different Reality She’s Clawing At The Walls (Shaking the Tree), i defy you, stars (Do It For Mead), and The Killing Fields (Orphic). Emily was also able to serve as a teaching artist for Hand2Mouth and Milagro, and is a current Hand2Mouth Company Member.
Jonathan Walters [Workshop Coordinator] was the Founding Artistic Director of Hand2Mouth Theatre working in the US and abroad leading community-engaged creative workshops and projects the last 20+ years. Jonathan’s work and collaborations have been presented at colleges, theaters, schools, prisons and contemporary festivals nationally and in Latin America, Europe, and Africa. He has participated in selective artist residencies (Caldera Arts in Central Oregon; Yaddo in Saratoga Springs, NY; EMPAC in Troy, NY; Casa Santa Ana in San Miguel de Allende, Mexico) and was awarded fellowships and travel grants for international projects. Jonathan is currently H2M’s first Director of International Programs working with teams of artists in conjunction with the U.S. State Department and U.S. Embassies, international NGOs and individuals to organize, fund and lead international collaborative cultural diplomacy projects.
Rachel Errico [Lighting Assistant]
A heartfelt thank you to our generous sponsors for their vital support!
