Home/Land is proud to be part of the 2026 Oregon Contemporary Artist’s Biennial: The Price of the Ticket
HOME / LAND is a unique outdoor experience that invites audiences to reflect on their personal relationship with the place they call home and their hopes for what its future might hold. It asks the important questions about the ownership of land, the notion of home, and why we put up borders and flags to keep people out.
About the Biennial:
Oregon Contemporary Artists’ Biennial is a survey of works by visual and performing artists who are defining and advancing Oregon’s contemporary art landscape. The exhibition is supplemented by a series of interdisciplinary programming and events.
The 2026 Artists’ Biennial: The Price of the Ticket explores the interconnected themes of place, power, and promise, especially as they relate to our complex relationships with the land, our histories, and our nations. It is a response to the 250-year anniversary of the signing of the Declaration of Independence on July 4, 1776.
Director’s Note:
Thank you for supporting Hand2Mouth and for opening your hearts to this production of HOME/LAND. Like most of our devising works, the show began with just a single thought and grew through conversation, exploration, historical research, and interviews with people in the community. The show was born out of a desire to address the houseless crisis in Portland. As we began exploring, the idea of displacement, impermanence and the threat of a loss of security began showing itself to us. Humans leave their homes for many reasons and many have been forced out.
There are two glaring stories missing from this piece that I wish we had been able to address and honor. The first is the experience of the Indigenous communities that stewarded this land for millennia, here in Portland this included the Multnomah, Kathlamet, Clackamas, Cowlitz, Tualatin Kalapuya, Molalla, and Chinook peoples. Indigenous communities made their homes along the Columbia and right here along the Willamette River. In the 1800s, Oregon’s Indigenous communities were decimated by the introduction of diseases and later forced into reservations.
The other story is that of the current administration’s immigration policies and the threat of ICE in our community. Like others opposed to ICE, I long for an end to sweeping raids, the abolition or fundamental restructuring of ICE, and the systemic dismantling of the mass deportation machinery. I do not want to see families separated nor do I want to hear of another ICE detention death - reportedly up to 18 so far in 2026. Today we perform HOME/LAND less than one mile away from the Immigration and Customs Enforcement field office in Portland.
We hope you leave this production feeling a part of this performance and closer to the community we share. As we endure another news cycle full of stories of loss, pain, racism, poverty, rising gas prices, another Trump vanity project, war, genocide, climate change, and so forth, we hope you will be reminded by this show of our common humanity and the short time we all have on this planet. Let’s be kinder to each other. Let’s lift up our neighbors. Let’s not forget the lessons we’ve learned through history and start creating the change we want to see in the world.
-Michael Cavazos, Artistic Director
HOME / LAND is a collaboration between Hand2Mouth Theatre, Begat Theater and WaxFactory. It was originally presented in September 2022 and remounted in 2023 and 2024.
The original co-creators include: Geo Alva, Michael Cavazos, Lucille Dawson, Dion Doulis, Karin Holmström, Erika Latta, and Jonathan Walters.
Directors: Dion Doulis, Erika Latta, Karin Holmström, Michael Cavazos, Jonathan Walters, and Geo Alva
2022 Onsite Director: Karin Holmström
2022 Onsite Assistant Director: Michael Cavazos
2023-2026 Director: Michael Cavazos
Sound Directors/Immersive Design: Dion Doulis and Erika Latta
Set Design: Karin Holmström and Philippe Laliard
Video Design: Michael Cavazos
Script Writers: Dion Doulis, Erika Latta, Karin Holmström, and Michael Cavazos
Portland Interviews by: Michael Cavazos
Translations by: Geo Alva
2022 Set Construction: Philippe Laliard, Abby Jacquin, and Ryann St. Julien
2023-2026 Technical Director: Abby Jacquin
2026 Carpenters/Building Crew: Theodore Matthee O’Brien, Kelley Bayles, Piper Dodson-Tuor, Andi Jo Higgins, Marion Richardson-Beatty
Set Dressing: Violet Aveline
Prop Design: Karin Holmström
Light Design: Abby Jacquin
Tech: Jon Timm
Stage Management: Michael Cavazos
H2M Administration: Jonathan Walters, Jenni GreenMiller, and Michael Cavazos
Photography: Sarah Marguier
Cast:
Reception Agents: Alyssa Marie Mathews and Natalie Arroyave
Intake Agent/Clerk: Dylan Hankins
Shelter Agent/Concierge: Danny Walker
Drowned Women: Maia McCarthy and Nurys Herrera
Unit 7: Pedro Adan Dominguez
Outtake Guides: Jenni GreenMiller, Maia McCarthy and Nurys Herrera
Running Crew: Gabriel Reyes and Orion Ellis
Voiceover Cast:
Agency Voice: Erika Latta
Narrator: Dion Doulis
Makiko: Mai Ide
Antonio Morales: Julio Cesar
DACA student: Yasmin Ruvalcaba
YMCA Lady: Maia McCarthy
Rancher: Jonathan Walters
Interview Voices:
Makayla Caldwell
Garrett P.
Documentary Voices:
The Neighborhood of Albina
• Donna Maxey, courtesy of the Albina Mosaic
The Vanport Flood
Senator Jackie Winters, courtesy of the Vanport Mosaic and story midwife, Laura Lo Forti
Ed Washington, courtesy of the Vanport Mosaic and story midwife, Laura Lo Forti
Evelyn Bolme, courtesy of the Vanport Mosaic and story midwife, Laura Lo Forti
Japanese American Incarceration during WWII
• Shizuko "Suzie" Sakai, courtesy of the Japanese American Museum of Oregon
Lost City, Living Memories: Vanport Through The Voices of Its Residents - Project directed by Story Midwife, Laura Lo Forti
Special Thanks to:
The Zidell Family
Alan Park
Vanport Mosaic
District Four Office of Community and Civic Life
TK Smith
Oregon Contemporary
2026 Cast Bios
Dylan Hankins studied World Languages at Lewis & Clark College (’20) and devised theatre with PETE’s Institute for Contemporary Performance (’21). He wrote, directed, and acted in (de)composition, S p r a w l (CoHo theatre), and FAENA (PETE Presents). Acting credits include Spear (Corrib), Banned (H2M), Merchant of Venice(Portland Shakes), Parallax View (H2M), Alarums and Excursions (Fertile Ground) and Chekhov! 3 Farces (21ten). You can see a sneak peak of his new show M.S.M. At Shaking the Tree on August 13th through 15th. You can follow him on Instagram @icpdylan for more info.
Maia McCarthy is an actor, deviser and teaching artist who seeks to use theatre arts and live performance to make places where we can be a little more human together, expand our capacity for intellectual understanding beyond our brains into our whole bodies, ask a tremendous amount of ourselves and each other and then extend each other that same tremendous amount of grace- all while telling a kick-ass story!
In addition to HOME/LAND Maia has worked with H2M in their 24-hour devising festivals and in 2026 their solo piece Assessment Tools debuted in the New2You festival of new works. The role of the Drowned Woman is one of their favorites.
Nurys Herrera (Creator/Performer) is a Peruvian-born actress, performer, and a writer based in Portland, Oregon. She has performed on stages across the Portland area for more than 20 years. Nurys was recently seen in Hand2Mouth's New2You Festival with her solo show System Check. She also appeared in Memento Mori and Home/Land (2024). 'Even after leaving home, part of us is always searching for the place where our story began.'
Danny Walker (He/They): Danny is an actor, playwright and devising artist based in Portland, and is elated to be back with Home/Land for a second time. He holds a BFA in Acting from Southern Oregon University '14. While living in LA, he co-founded Performing Arts Collective of Los Angeles, acting as Artistic Director from 2016-2021. Recent credits include: Macduff in Macbeth (Experience Theater Project); Jamie in Last Five Years (Compass Productions); Steve in A Streetcar Named Desire, Ensemble in Salome (Imago Theatre); and Bert in It’s A Wonderful Life (Stumptown Stages). His original play, Wasted, was produced at Fertile Ground April 2026. Upcoming is Tour De Force Productions' new play Live in 3,2,1 this October.
Pedro Adan Dominguez [They/He] - Originally from Texas, Pedro found themselves dissociating (as one does) at the gamestop they worked, and decided to uproot their life to be in an acting apprenticeship at the Portland Playhouse. Since then, they stayed in Portland to create art with their friends, read a couple books, play a couple video games, and try to live their best life. They can be found petting the nearest animal, probably. Previous acting credits include H2M’s BANNED, Memento Mori and 24H2M Festival; Blood Wedding’s The Moon at Shaking The Tree; a reading of Terco Corazón at Centro Cultural; in the short film, Dearest Eva, as chaotic bisexual, Carlos; and has been in multiple readings for Pulp Stage. Stage Management credits include We Wrote This With You In Mind and In a Different Reality She’s Clawing at the Walls. Writing Credits include Kryptic Film’s The Lost Ones: The Case of Mire Falls, thought-o-vision, their ongoing solo show, the Fun-Raiser (to stop the end of the world), and more secret ones! Let’s make something silly! insta @pedpedoncloud9 Hehe! :3
Jenni GreenMiller first worked with Hand2Mouth as a performer in Time, A Fair Hustler and as a performer and co-creator in Psychic Utopia. She has a BA from Portland State University, is a graduate of the Portland Actors Conservatory and has trained with Anne Bogart's SITI Company in Syracuse, NY and with Burning Wheel in L.A. She was an ensemble member with Sowelu Theatre Company, toured with Brainwaves Improv, and has performed locally at Artist Repertory Theatre, Fuse Theatre Ensemble, Triangle theatre Co., Lakewood Theatre, Curious Comedy, and Lunacy. Currently, she is submitting the hell out of her plays and is a playwright for theatre for Change, a youth restorative justice program.
Michael Cavazos is a Queer Chicanx theatre maker and the Artistic Director of Hand2Mouth Theatre. Before moving to Portland, they were a member of the comedy troupe Gender Offenders and performed on many NYC stages. In Portland, Michael has worked with Imago, Crave, Profile, Portland Playhouse, Portland Revels, and Portland Center Stage. As a teaching artist, they have taught in Egypt, Serbia, and the Dominican Republic. In 2021 Michael received the Oregon Arts Commission Individual Artist Fellowship. He was the festival director for H2M’s recent New2You Festival and 24H2M, a 24-hour devising festival. He directed Hand2Mouth’s BANNED, Momento Mori, and Universo.
Alyssa Marie Mathews (she/her) is a puppeteer, theatre maker, and all-around artist in Portland, OR. She is the Managing Director for the R-rated horror/comedy/sci-fi/rock musical puppet troupe, Puppeteers For Fears, which will be touring nationally with their show, Robopocalypse: The Musical. Though she mainly works with puppets nowadays, she's been involved with Home/Land for a few years and it holds a very special place in her heart, so she's happy to be back! Alyssa holds an MA degree in Puppet Arts from the University of Connecticut and a BFA in Acting with minors in Studio Arts and Shakespeare Studies from Southern Oregon University.
Natty Arroyave is a Colombian performing artist and company member with Hand2Mouth Theatre. She recently performed in Theatre in the Grove’s Mojada: A Medea in Los Angeles and at the Cairo International Festival for Experimental Theatre in Egypt in Y Recuerda Tichangoshaina… An Encounter of Cultures, a co-creation with Zimbabwean artist Lonesome Tapiwa, produced by Hand2Mouth Theatre. @natty.arroyave
Gabriel Reyes is a graduate of Lewis & Clark's theater program who currently works as a performing artist in Portland. He's very excited to be joining Hand2Mouth for the second time after working the New2You festival as a production assistant. Other recent credits include Alarums & Excursions and Faena by Dylan Hankins and ISABEL with Theatre Diaspora.
Orion Ellis (they/he) is a hodge-podge sort of artist, born and raised in Portland, OR. He has been published in Hope is a Stem: 2023 WITS Anthology and has had work performed in the Portland Center Stage's Youth Play-writing Showcase. In terms of theatre, they have been involved in Roosevelt High School Drama Club, as well as a member (both ensemble and director) of Hand2Mouth's Youth Devising Residency, for the past four years. They will be going to Oberlin College in August, but his favorite bridge will always be the Steel. Going from an audience member to part of the run crew, Orion is so excited to be a part of HOME/LAND!
A heartfelt thank you to our generous sponsors for their vital support!

